Baby Monster stands tall at Japan's top three year-end music festivals


The group BABYMONSTER has been invited to major year-end music festivals in South Korea and Japan. On the 31st, YG Entertainment announced that BABYMONSTER will appear on the Yomiuri TV year-end music program "Best Hit Song Festival 2025," which will be broadcast live on November 13 at Osaka-jō Hall in Japan. "Best Hit Song Festival" is one of the three major year-end music shows in Japan, alongside "Kōhaku Uta Gassen" and "FNS Music Festival," and BABYMONSTER will be the only K-pop artist performing this year.

BABYMONSTER is also scheduled to perform at major domestic year-end award ceremonies such as Mnet's "2025 MAMA AWARDS" and SBS's "2025 Gayo Daejeon." Even before their official debut in Japan, they have been actively engaging in local activities, including appearances on terrestrial music broadcasts, invitations to large-scale festivals, and selection as global brand models.

BABYMONSTER's second mini-album "WE GO UP" ranked number one on the Oricon album chart on the day of its release. The title track of their first full-length album "DRIP" has accumulated 100 million streams on Oricon. These achievements demonstrate BABYMONSTER's global popularity and musical capabilities.

In the first half of this year, they attracted a total of 150,000 attendees through their "BABYMONSTER 1st WORLD TOUR IN JAPAN ." This is the shortest period record for the largest audience by a K-pop girl group, indicating BABYMONSTER's rapid growth.

From November 15 to 16, BABYMONSTER will hold the fan concert "LOVE MONSTERS JAPAN FAN CONCERT 2025" in four cities, starting at Chiba Lala Arena Tokyo Bay, followed by Aichi, Tokyo, and Hyogo. This concert is expected to become an important event for communication with their Japanese fans.

BABYMONSTER's participation in year-end music festivals and fan concerts is expected to further spread the global popularity of K-POP. Through active activities both domestically and internationally, they are elevating the status of K-POP, and expectations for their future endeavors are growing.


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