EPEX has released their seventh mini-album, ’SOWA(韶華) : Epilogue (SOWA : Epilogue),’ and completed their first week of comeback activities. EPEX (Wish, Mu, Amin, Baekseung, Aiden, Yewang, Jeff) showcased the title track ″ECHO″ on music shows such as Mnet’s M Countdown, KBS 2TV’s Music Bank, MBC’s Show! Music Core, and SBS’s Inkigayo after unveiling the album on the 9th.

’SOWA : Epilogue’ is an album that concludes EPEX’s youth series that began in 2024. The title track ″ECHO″ features a hip beat and a minimal sound with 2000s sensibility. Jeff, Baekseung, and Aiden participated in writing the lyrics, delivering a confident message.

On music show stages, they demonstrated powerful synchronized choreography, relaxed movements, and captivating facial expressions, showcasing intense hip-hop energy. The signature choreography, which mimics pushing and pulling hands like mime, also caught attention. Additionally, they attracted global fans’ interest by presenting a matured atmosphere with street mood styling and sporty hoodies.

Shortly after their comeback, on the 11th, EPEX announced their fourth solo concert tour, ’ECHO.’ The concerts will be held on July 18 and 19 at Ticketlink 1975 Theater in Gwangjin-gu, Seoul, followed by tour stops in Tokyo on August 21 and Taipei on September 12.

Various content activities continued as well. They performed with a playground backdrop for the ’ECHO’ dance challenge and Wonder K Original ’On The Spot,’ and revealed live hand-mic performances of ″ECHO″ and the B-side track ″BOYS IN THE BAND″ on YouTube’s ’Supsweon Live.’

EPEX held a mini fan meeting with fans during the pre-recording of Show! Music Core and also participated in the public recording of the ’Special Show! Music Core’ at the ’2026 Ulsan Music Festival’ on the 15th, interacting with their fandom, Zenith.

With this seventh mini-album, EPEX once again surpassed 100,000 copies in initial album sales, following their previous three-part full-length album series: ’SOWA Chapter 1: Youth Season,’ ’SOWA Chapter 2: Youth Deficiency,’ and ’SOWA Chapter 3: Romantic Youth.’